My new short story THE LOST YEAR is available today in print at http://www.lulu.com/shop/rick-pipito/the-lost-year/paperback/product-24285594.html
Be sure to grab your copy and spread the word. Description:
Doctor Erin Vaughn created a virus that could very well cause a worldwide extinction event. As she races against the clock to discover the cure, her travels take her to Mayan ruins in Guatemala. There she uncovers a secret that may explain what happened to the ancient Mayan people, but will she make it out alive? A team of mercenaries on the hunt for Vaughn are hot in pursuit and they are determined to take her dead or alive. This final installment in the Eternal Hunger Saga is a direct follow up to the events closed out in the novel Consumed By War.
Final day of #scrypthalloween 2019 looks at my first #graphicnovel turned #book. Here are some facts: 1) it was published as a comic book back on February 2, 2012 and later became a text version. 2) I’d sworn to only create one #zombie novel but when readers began sending me letters to expand upon that threat I decided to do this spinoff. 3) When @dpipito and I began discussing how we could do it in #art form he suggested bringing nine artists plus himself on to do the work. We recruited from Craigslist and this was the official start of sCrypt Publishing. 4) the cover was a photo we took of severed rubber limbs and leftovers in a refrigerator. Then Dan took the image through a Saran Wrap filter and added a retro horror feel to resemble a creepy Hannibal Lecter type movie poster. 5) the undead circus in the book was Dan’s idea because he wanted to illustrate freaky and deformed zombies. It was a creative element that I couldn’t pass up and features a strong female lead that ends up in my novels later on. What are your favorite zombie stories or comics? #authorsofinstagram #book #spinoff
Day 8 of #scrypthalloween looks at my short spinoff #book EVOLVED MUTATIONS. Some facts: 1) It was published on September 15th 2016. 2) the entire contents of the book are deleted scenes from my novel GENETIC MORSELS. I felt they worked better on their own. 3) one of the scenes came to me when I was standing overlooking #Philadelphia from the top of the Comcast building. I thought how horrible it would be if someone jumped, and it instantly became part of the story. 4) because this was based on people with extraordinary abilities I almost brought artists in to do another graphic novel, but decided it would have not made the due date.Instead I wrote it in a way where it could be converted into a comic version at some point if I desire down the line. 5) the cover is comprised of close up photos of my family’s eyes and altered to represent different super abilities. The top left is my son, then clockwise it’s me, my daughter, and my wife @homemadedelish .
Day 10 of #scrypthalloween looks at my short story DEMONIC ENTITIES. The cover was a blend of pics taken by @homemadedelish of our active fire pit and then altered to have hidden things such as faces and dancing sprites. The longer you look at it the more you see….
official description: You pray, but something within you screams out. Your conscience flees, leaving you alone with your vices. No longer can you control your actions as the evil emerges. The demon has arrived, and none are safe. This short story follows the events in the novel “Devil’s Dessert.” The demons of the 7 deadly sins aren’t killed that easily.
Book is available in print at lulu.com or as part of the Pandora’s Chaos trilogy at Amazon and Barnes and Noble sites.
There’s been no doubt that this movie would be a success, so in order to avoid seeing spoilers I rushed out with my son this morning and saw Rogue One. We found this one to be a good stand alone movie that fills in some back story, and introduces new characters that fit in well to the canon. But does Rogue One live up to the hype? If you don’t want spoilers, then scroll down to the last paragraph for my rating, otherwise here is the breakdown of what I thought per character:
Jyn Erso: Felicity Jones’ character didn’t need to have more than ten minutes of back story to understand why she is who she is. They did a great job of explaining a lot in a little bit of time, and it feels as if she’s been key to the main episodes all along. (In truth she has). The fact that she dies in the end (along with every other member of this main cast) quells any fan boy theories about her being Rey’s mom. This was the biggest shocker (the death of everyone), that didn’t really shock me after I thought about it. It explains why we never see or hear of these characters again. It also was a great thing, as we know they won’t try to pump out useless sequels to something that’s supposed to be a spinoff one shot.
Cassian Andor: Diego Luna had me thinking he was going to be a real prick from the moment he was on screen, but his rough exterior and approach was a façade. Jyn and he made the perfect team. His motives are clear, and despite anything he’d done wrong in the past, he has a reason to back Jyn up on her mission in order to right those wrongs. I loved this angle.
Krennic: Was a completely unlikeable villain. This is good for story telling. He reminded me of a teenager not getting his way and throwing temper tantrums. Adolescent demeanor aside he provided a big threat to Erso and Andor’s plans, but got his karma paid back in the end.
Chirrut Îmwe: He was perhaps my favorite new character. A blind monk who lives by the Force, and provided a bit of comic relief. I like how there was a brief mention that he was a guardian of the Force Temple. (That’s the place we see Luke at at the end of episode 7.) So we get a bit of what those people were like.
Baze Malbus: was an equally badass partner to Chirrut. Although he didn’t believe so much in the Force, he stood by his friend’s side til the end. His heavy weapon pack was one of the coolest Star Wars weapons to date.
Galen Erso: Mads Mikkelsen is one of my favorite actors of today, so you can already see where I’m going with his assessment. It’s odd to see him in the role of a good guy lately, but he plays the part of father well, and this now makes A New Hope that much better. One of my all time complaints with episode 4 was that the Death Star was too easily destroyed for such a massive and seemingly impervious machine. Galen building the exhaust port as a way to access the main core is a genius way of making that which happens next make more sense.
K-2SO: As always with these films, the droids are a highlight, and he’s no exception. Finally we get to see a droid in action and with no filter on his mouth he seems more relatable than any of the previous droids we’ve met.
Bodhi Rook: seemed unstable to me, even before that creepy squid leech thing latched onto his mind. Despite that concern, he proved to be a reliable character that fleshed out well. I only wish we’d have gotten to understand a little more about his motives. He betrayed the empire. We get Galen’s reason, but why did Bodhi?
Saw Gerrera: was in the Clone Wars, so this is the first character we actually get to see from that era who was key to the plot. Unfortunately for us we don’t know (without watching the cartoon) how he got so damaged physically. He needed oxygen not so differently than Vader does. He’s a heaping mess of bio and mechanical parts. His demise so soon was unexpected as I thought Forest Whittaker would have been in it longer, but I think how he was utilized was done so with a smart approach.
Bail Organa, Mon Mothma, C-3PO, and R2-D2 – all had good placement in their cameos/small roles. It connected this movie to the others in a way to show continuity, without using them as the driving force (pun intended) behind the new characters. We also get a few other nods and cameos in the background or in quick passing that made me smile.
Grand Moff Tarkin and Princess Leia – And here’s what left a bad taste in my mouth. The special effects here were off with Tarkin in a way that made him uncomfortable to watch. I think it’s awesome that they brought back the character, as he is crucial to the next chapter in the main story. He had to be there, but the digital recreation of the face didn’t work when he was speaking. It was almost as if his face was moving too much, yet not at all in some spots. I understand this is nitpicky, but then we get the cameo from Princess Leia at the end, and she looked flawless. I mean it was like she was pulled right from episode 4. Aside from the looks the presence of these two was perfect. This shows how Tarkin gained control of the Death Star, as well as how Leia got the plans. Even my son’s eyes went wide with Leia’s cameo at the end.
Storm Troopers: My son always loves the storm troopers, as do I. I found that the addition of the Sand troopers was a bit much. They didn’t really need them as there were standard troopers everywhere. It’s not like they were trying to blend in. This was a pure merchandising move, but one I won’t argue with. The same can be said for the newly added ships. Not necessary, but a welcome addition.
Darth Vader: I have to say that by the end of the movie I was a little upset at his lack of use, but then the second I thought that he came on screen and went on a rampage. This was the best Vader scene we get to see in full attire. It shows him at the peak of his rage, and connects him more to his former Annakin self than the other movies do. I love how we also get to see how he takes a bath. A Sith Lord must keep clean after all. My complaint may be picky, but I’ve two here. 1) The lightsaber looked out of proportion. It looked entirely too short in the final shot of him, and I feel it didn’t match up with what we’ve seen of the weapon in all its other appearances. It was more a short sword than anything else here. 2) James Earl Jones was a welcome return to the voice, but something about his portrayal didn’t feel energetic or convincing enough. It could be that he’s quite a bit older now, but I feel he lacked some emotion that could have made Vader much more menacing than he already was.
Time period wise I was a little off in my assumptions of when this took place. I thought this happened a few years before episode IV, but I was mistaken as it leads directly into A New Hope. Either way it was a great interpretation with lots of surprises that caught me off guard. With the exception of some special effects irregularities, this stands well with the franchise, but does not exceed the greatness of a couple of the other entries in the series. All in all I’d give it a solid 4 out of 5 sCrypt Coffins.
What do you think? Did you like Rogue One? Comment below.
Have you posted something for #scrypthalloween yet? There are giveaways for those who do. Day 8 continues with the #werewolf theme. For it I’m announcing a revised release of IN CASE OF WEREWOLF. This spinoff from my Bones At Breakfast novel was originally done in graphic comic book form. Now it’s available in text form as a short story on Lulu.com in print, or on Amazon for Kindle in the Eden’s Order Trilogy download.
Do your bones ache? Does your instinct sometimes prevail over rational thought? When night descends, do you feel “different”? If any of these are your symptoms, then you are not alone. You may have contracted lycanthropy, and when the moon rises, your inner beast will emerge.
Q: “Ghostly Hauntings” is the 4th title from sCrypt Comics. Can you tell us what it is about?
Rick: It is a spinoff from my novel “Souls 4 Supper,” and centers around different ghost stories.
Dan: And a touch of other paranormal things.
Q: Who are the artists involved, and can you tell us a little bit about them?
Dan: There are nine artists in all. Mao Estheim is our first international artist. She lives in Japan and has a very classic Manga style. She brought her vision of our story about a haunting hoax, by incorporating heavy influences from Japanese horror films.
Dan: Yeah, Jake has a very crisp line and caricature style to his art. He was able to take characters that we’d already had done in our first comic, and make them his artwork while staying true to what the original design was. His story in this one is actually a direct sequel of the first story I did back in our first issue “Zombie Incidents,” and I was very happy with the outcome.
Rick: Michael A Garard Jr found us through Google Plus, and he has a very comic booky style. He was one of the few artists who did full color this time around, and you can tell he’s very passionate about the genre. He’s also our savior of this issue, and did two stories instead of just one. Both used differing ideas and styles that made them each unique, and entertaining.
Dan: He also did everything in half of the time as everyone else without sacrificing quality.
Rick: Next up we brought back Kelly Swann whose military style art is very realistic and accurate to the eras she portrays. Kelly’s story centered around a genie of the lamp, which I think expanded her area of expertise. As supernatural as it was, she was able to keep it grounded and still hold the magical feel we desired.
Dan: Muhammad Nurul Islam is another international artist. He was born in Indonesia and resides in Great Brittain, so his culture has influenced his talent. What he did was portray a ghost story in a way that was family friendly to begin with, but made it almost feel like you were reading a children’s book, which is what we wanted.
Rick: Joe Parisi is another veteran with us. He’s actually the only one aside from us that has been involved in all four of our sCrypt publications, and his art is ever evolving. I’ve never seen an artist who can stay true to themselves while portraying a wide range of work; until we met Joe. He’s really a pleasure to work with, and is passionate about taking on another of our stories. He even told me he feels like he has to continue stepping up his art because of the increasingly good talent we bring on board. The funny thing is that the story he drew in this one was perhaps the most difficult one to make work so far, and he managed to capture it well.
Dan: Then we have Asher Humm, who had scheduling conflicts and wasn’t able to do our last one, but he was more than eager to come back this time. It’s his third venture with us, and as a professional artist, he has complexities that can’t be easily mimicked. The detail he puts in really makes a six page story feel like a full novel at times, and we look forward to continue working with him.
Rick: Kristie Vanderzee had first choice of stories this time because she’d been our last minute saving grace with our previous publication. With a little more time to work on the art, she did some really cool things. I don’t know how, but she managed to juggle getting married in the process, and found a new job in the comic book world as well. With everything she had on her plate, I’m amazed at the quality and effort she put in. Her final product was outstanding.
Dan: Finally, there is me. I’m just trying to find a style to fit in, so I’m constantly trying new things. I’d like to take my art to a definitive style with comic books, and I feel I’m close to what I finally want to settle upon.
Rick: Dan’s got a lot on his plate with these comics. He not only does a story, but is a consultant to the stories I write, and brings my cover art ideas to life as well. It gets a little hectic at the end with trying to piece it all together, but we’ve been happy with the final outcome, and it gets better each time.
Q: A project of this magnitude often comes across obstacles. Did you guys run into any hurdles along the way?
Rick: Well, we won’t go into specifics, but this time around one of our artists had an unfortunate health issue, and he wasn’t able to complete the story he wanted to do. Thankfully, as we mentioned before, Michael Garard Jr was able to step in at the last minute and do it. Sometimes these things just happen that are out of our control, and for the artist who had the health issues, we only wish that person the best, and hope that we can one day work together again.
Dan: There was also some printing issues because of sizing and boundaries in post production. That was annoying, but we worked through it.
Dan: Rick had the idea to have a kettle with boiling souls escaping in the steam. Luckily I worked in a kitchen at the time and I was able to get a good picture. If you look closely at the ghostly faces in the steam, you might see something recognizable. I incorporated some classic horror face poses into it as a sort of tribute, and fun Easter egg. I like the photographic covers as opposed to fully illustrated. It makes it more of a real item than just a collection of fiction stories. This is also a new trilogy in the novel forms, so being able to introduce a new color palette in the graphic novel counterparts is exciting.
Rick: We were really limited to mostly red colors with the vampires, zombies and werewolves, so now that we’re on to the next thing, it allows our color range to open. Ghosts, demons, and technology leave a lot of room with which to work, and it’ll help make our comics stand out as trilogies (just as the novels do).
Q: When can we expect the next entries in the novels and in the sCrypt Comics graphic novels?
Rick: “Techno Feast” is the next novel in the series, and comes out in March 2014. Then we are going to take some time to get reorganized. Instead of publishing another comic in 2014, we will work on the novel trilogy, which will have those stories in it plus extras. 2015 will be our next sCrypt release. We just want it to be right, and it takes our attention away from our normal projects greatly. Don’t worry though… they keep getting better, and the extra time will allow us to make it even more so.
Dan: “Demonic Entities” is the title right?
Rick: Yes. Our next comic will be about angels and demons, and the “Devil’s Dessert” spinoff will be called “Demonic Entities.”
Q: Do you have a particular favorite story in “Ghostly Hauntings” that stands out above all of the rest in your mind?
Rick: Being as I wrote them all, they each hold an equal place in my heart. I can’t really choose a particular favorite of them all. If I had to absolutely narrow it down, it would probably be the “Dreams” story because it has very important historical ties, and is a key element in the novel.
Dan: For me, I think it’s a three way tie. Rick had chaos as a common theme throughout the book and the comic, and he wanted to see how an artist would portray chaos. So, for those frames, we have Pandora’s Box opening, and each particular artist’s version of what would come out. It is really cool to see a total inventive translation like that, and gives insight into the artists’ minds. They look like they actually collaborated together in some aspects, when in reality they had no contact at all. The reason I chose the story that I did was because Rick based it on events from our childhood, and so it held a place in my mind that sits above the rest. I didn’t want anyone else drawing that story because I knew what I had envisioned it as.
Q: The tie ins you mentioned establish that continuity you mentioned. What really made you take this route?
Rick: I actually hadn’t thought to do it until the stories were already written. It was an afterthought in the storyboarding phase where I wondered how I could make them coexist better. It comes natural to me in novel form. Art is out of my jurisdiction, so I had to think on a different level. I figured that it would help to describe Pandora’s Box contents even better if I could emphasize that chaos in one person’s mind doesn’t necessarily mean it is the same in another’s. I’d like to do more of this with future installments as well.
Q: There is no concept art page this time. What made you decide to get rid of it, after it was present in the first three installments?
Rick: Timing really. The end was a lot of rushing around, and not many of the artists had concept submissions. It takes hours to put together something like that out of cutting, splicing, and finding the correct parts to fit like a glove. We didn’t have time to put together a jigsaw puzzle of scrap art.
Dan: It is unfortunate, but he’s right. We will definitely add that back in to future comics, but we had to skip it for now. The funny thing is that I don’t think we missed much. A lot of the time, concept art is often just pencils of what becomes the final product, so it isn’t like you would have seen a whole lot more.
Rick: The only thing I actually regret about this decision is that we didn’t get a ghost stick family, as Dan did with the previous three.
Dan: Yeah, they were fun. Maybe we will get one for the website though.
Rick: Or maybe we can work on a merchandizing idea for it in the future. I could see a custom sCrypt Comics bumper sticker with the creature family of your choice.
Rick: Ha! Tons. Dan, did you put any in yours that I’m unaware of?
Dan: No. No hidden penises this time. It was straight cut and dry.
Rick: There are a few hidden items as tribute. The cover as Dan mentioned has some things in it. The sCrypt Comics logo was written into the story in a coffin scene. Slimer, The Wizard of Oz, Evil Dead, Aquaman, and even fitting in our last name, as well as one of the artists’ last names ended up in the final product. I love that kind of stuff for people to look at the detail closely. There are others too, but you have to look for them.
Q: I understand you now have a free online comic as well. Tell us about that.
Rick: When we were kids, we’d read the Sunday Funnies in the newspaper, and wanted to do something similar. So, I began writing “Munchies and Deedoos.” It’s a family friendly thing we post on our site that has a touch of humor and cuteness. A lot of it is inspired by my own kids, so it’s a lot of fun to do.
Dan: Rick told me about the characters and I began sketching the art for them right away. I think it’ll be interesting to see how each artist renders them. I like the smartness with which it was written, because it is relatable to everyone, even if you don’t have kids. We were all children at one point, which is why it is universal.
Rick: We also wanted to stick with what sCrypt is all about, so the two main characters are not human. Munchies is kind of like this slug like alien creature with hair that has a mind of its own, and Deedoos is a robot with a pajama like butt flap that displays gears instead of butt cheeks. The horror of it all comes into play with how the two characters perceive everyday things. Kids have wild imaginations, so you really get to see what a child might be thinking in a really disturbing and humorous way.
Dan: When I heard the name “Deedoos” I immediately thought of the beeps and boops that old computers made, and I knew he had to be a robot. Munchies was actually my niece’s (Rick’s daughter) idea. I asked her what kind of creature she might be, and she said “I think she’s a slug, but not really a slug, and her hair is just like mine.” Her really curly and long hair combined with a slug gave me the instant image of Medusa, but my niece has big bright eyes too, so I added cartoonishly large eyes. With that and how I find the old comic strip “Calvin and Hobbes” so simple, yet so intelligent, I eventually came up with what we have now.
Q: So will you work the other artists into “Munchies and Deedoos” the way that you do with the other comics?
Rick: Not exactly the same way, but yes. We’d like to have a different artist for each chapter. It’s a great way for people to get their names out there, and if someone doesn’t make the cut for one of our bigger productions, then they can still have a place here because it will probably fit their styles differently.
Q: One of my favorite features on your site is the “Artist of The Month” spot. Do you only spotlight artists with whom you’ve worked at sCrypt, or is it open to anyone?
Rick: So far, it’s only been people who’ve done work for sCrypt, and I think I want to keep it that way. It makes it a little more special. That being said, however, we are always open to more, so if someone were to send us fan art or wants to get involved to some capacity, that door is always open.
Q: Where can we get copies of sCrypt Comics graphic novels and the Rick Pipito novels?
Rick: The comics (Zombie Incidents, Legends of Vampire, In Case of Werewolf, and Ghostly Hauntings) can be found at www.indyplanet.com, and the novels (Flesh and Leftovers, Blood The Second Helping, Bones at Breakfast, Souls 4 Supper, & Devil’s Dessert) can be found in print at www.lulu.com or for the kindle at www.amazon.com